摘要
1939年中国工商业美术作家协会组织的义卖展览会是一次救济难民的善举,对此次展会的深入研究有利于深化抗战语境下中国国民性的理解,剖析中国近代社会文化的多样性。以此次展会发起的背景、历程及意义为切入点,窥探抗战时期美术界慈善活动的形态。此次展会以"教养兼施"的慈善理念,新颖的集资方式达到多赢效益,有力地展现了中国慈善事业的近代转型。
The charity exhibition of china's commercial artist association in1939was a typical philanthropic act.Further study of exhibition is helpful for the understanding of national character under Chinese anti aggression and the diversity of society and culture in the modern China.Taking the background,course and significance of this exhibition as the starting point,it explores the form of charity activities in art circles during the Anti-Japanese War.The charity concept of“providing both supply and education,”and the new way to raise funds help the exhibition to achieve win-win benefits and obviously demonstrate the modern transformation of China's charity.
作者
高俊聪
GAO Jun-cong(History Department, Anhui University, Hefei 230039, China)
出处
《安徽广播电视大学学报》
2017年第3期113-116,共4页
Journal of Anhui Radio & TV University
基金
中国慈善联合会竹林计划研究项目"近代中国书画助赈研究"(项目编号:2016ZLJH-052)
关键词
中国工商业美术作家协会
“孤岛”
难民救济
义卖展会
the China's Commercial Artist Association
a lonely island
the relief of refugees
the charity exhibition