摘要
20世纪初,西方的抽象艺术与西方古典艺术几乎同时与中国艺术家相遇,但特殊的时代使得西方古典艺术在我国发展更为蓬勃,抽象艺术发展相对滞后。而80年代后,更多中国艺术家进一步发展抽象艺术,并尝试深入探索如何结合中国传统元素。时至今日,当代艺术中,正如这次李安其、郝跃先绘画双人展所展示,抽象绘画仍有着自己独特的艺术魅力以及巨大的探索空间。
At the beginning of the 20 th century, Western abstract art and classical art were introduced to Chinese artists almost simultaneously, but during this special period of time, the latter thrived, overshadowing the former. After the 1980 s, more Chinese artists further devoted themselves to abstract art, and tried to find ways to combine it with traditional Chinese elements. Today, as the exhibition of Li Anqi and Hao Yuexian shows, abstract painting still has its own unique artistic charm and ample room for further exploration in contemporary art.
出处
《天津美术学院学报》
2016年第11期52-57,共6页
Northern Art:Journal of Tianjin Academy of Fine Arts
基金
天津市高等学校人文社会科学研究项目阶段性研究成果,项目编号20142306