摘要
一场表面上事关抽象艺术的展览,却需要从另一个视角去解读。2016年底,捷克艺术家艾何乐在北京今日美术馆就举办了这样一个充满问题意识的个人展览。他用自己的作品提醒我们,对艺术的理解需要回归到创作的原境之中,即我们当下所处的数据时代的生活。以此,我们看待他仿佛仍是抽象形式的艺术作品时,会进入到另一个精彩的思维世界。
An exhibition seemingly of abstract art may need to be interpreted from another perspective. At the end of 2016, the Czech artist Josef Achrer held such a solo exhibition full of problem awareness at Beijing Today Art Museum. He reminds us through his work that to understand an artwork requires us to return to the original situation in which it was created, i.e. our life in the present data era. Therefore, when looking at his seemingly abstract artworks, we will enter into another wonderful world of thinking.
出处
《天津美术学院学报》
2016年第11期58-65,共8页
Northern Art:Journal of Tianjin Academy of Fine Arts
