摘要
学界对近几十年出土大量地下文献中的乐论思想进行了较为广泛的探讨,主要集中在郭店简、上博简、清华简。郭店简方面主要是对《性自命出》与《乐记》的乐论思想进行对比分析,进而论及《乐记》的成书年代与作者,对《性自命出》等篇的乐教思想也有较多关注。上博简方面主要讨论《孔子诗论》第一简"乐亡隐情"的释义。清华简方面主要是对《耆夜》《周公之琴舞》《芮良夫毖》三组乐诗诗乐思想的探讨。此外,学界也对其他一些出土文献如出土乐器铭文进行了探析。
The academic circles have explored the music theory in a large number of underground literatures unearthed in recent decades,mainly focused on Guodian Bamboo Slips,Shanghai Museum Bamboo Slips and Qinghua Bamboo Slips.Guodian Bamboo Slips focus on the comparative study of xingzimingchu and yueji,and discussion of the time and author of yueji,and the music education thoughts.Shanghai Museum Bamboo Slips mainly discuss the interpretation of the first slip“music not hide emotions”.Qinghua Bamboo Slips are mainly on the poetic ideas in qiye,Zhou Gongqinwu and Rui Liangfubi.In addition,the academic community also study music thoughts of some other unearthed instruments such as unearthed instrument inscriptions.
作者
杨合林
张绍时
YANG Helin;ZHANG Shaoshi
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2017年第5期133-141,共9页
Journal of Social Science of Hunan Normal University
基金
国家社会科学基金项目“《乐记》文本
理论与注释史研究”(15BZW001)
关键词
出土文献
乐论思想
综述
unearthed literature
music thoughts
review