论敦煌本《酒赋》及同题赋之主题流变

An Evolution of Dunhuang Wine Fu and the Same Theme Fu in Past Dynasties

敦煌本《酒赋》于清末得以重新问世,其在语言风格和情感态度上都与西汉以来的同题赋作有所不同,是对历代《酒赋》创作的重要补充,共同展现了历代赋的创作和主题嬗变脉络。由于"酒"与文学有极大粘连性,因此历代同题《酒赋》内涵、主题的流变也是对历史及文学的双重折射。

The Dunhuang Manuscript ofWine Fu was reappeared at the end of the Qing Dynasty,and its language style and emotion attitude are different from those of the same works in the Western Han Dynasty,which is an important complement to the creation of theWine Fu.Together they show the creative trajectory of Fu.And because of the close connection between wine and literature,the connotation and theme of the same title in each era is the dual refraction of history and literature.