摘要
国家级非物质文化遗产苗族银饰不仅花纹种类繁多,而且蕴含着厚重的民族传统文化,体现了苗族独特的审美情趣。现代苗族银饰图案内容趋于简化,青睐花草,成为苗族人民审美价值观的主体内容和核心体现。银饰不只是一种简单的生活装饰,还是苗族民族文化的载体。
As a state-level intangible cultural heritage,the Hmong silver ornaments not only have various kinds of patterns,but also contain rich national traditional culture and embody the Hmong people’s unique aesthetic taste.The patterns of the modern Hmong silver ornaments tend to be simple and favor the flowers and grass,which have become the main content and the core embodiment of the Hmong people’s aesthetic values.Therefore,the silver ornaments are no longer the life decorations and they have become the carrier of Hmong people’s national culture.
作者
滕新才
孙颖
TENG Xincai;SUN Ying(Institute of Public Management, Chongqing Three Gorges University, Wanzhou Chongqing 404100,China;Institute of Public Management, Chongqing Three Gorges University, Wanzhou Chongqing 404100,China)
出处
《重庆文理学院学报(社会科学版)》
2017年第5期8-13,38,共7页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
基金
国家社会科学基金项目"西南少数民族国家级非物质文化遗产保护效果研究"(11CMZ032)
西南民族社会发展研究中心开放基金项目"苗族银饰研究"(RCSNSD2013009)
关键词
苗族
银饰
图案
文化内涵
变迁
Hmong
silver ornaments
patterns
cultural connotation
changes