摘要
《观沧海》是一个完整的艺术表现形式,整个情感线索一以贯终,不能将诗句单纯地叠加生成意义。诗歌语言是造型性语言,是诗人所要表达情感的异质同构物,故而诗歌中并不存在真实的客观景物。这首诗从整体形式上是表现诗人对浩瀚时空的占有欲,对永恒生命的渴望,而非其所见所感。"海"的意象是诗人有意识选择的结果,但暗中驱使诗人做出这一选择的则是"海"所承载的集体无意识。
The“View of the Sea”is a thorough artistic performance with an emotional clue,yet the composer’s felling cannot touched by combining the sentences purely.The language of a poem is a modelling and a heterogeneous isomorphism media by which the composer expresses feelings so the objective view in a poem is unreal.Entirely,the poem reflects the composer’s desire to possess the space-time and longing to live forever without death,and it is not the view which is being enjoyed by the composer.However,the“sea”is not a deliberate option but a corporate unconsciousness carried from the“sea”which drives the composer implicitly to make the option.
作者
马佳宁
MA Jianing(College of Liberal Arts, Jilin Normal University, Changchun Jilin 130000, China)
出处
《重庆文理学院学报(社会科学版)》
2017年第5期55-58,共4页
Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
关键词
艺术符号
观沧海
原型
生命意识
art symbol
“View of the Sea”
archetype
life consciousness