摘要
咏花诗是张大千诗歌的重要组成部分,在其诗作中具有突出地位,不过学界对此关注不够,目前尚无相关整体研究。通过对大千咏花诗作的系统研究,得出:其一,就大千咏花种类及诗作数量而言,在中国诗坛可谓绝无仅有;其二,就大千咏花诗的审美景观而言,表征出多维性,如花情花态的捕捉、借花抒怀、以花比德等等;其三,就大千咏花诗作的成因而言,主要有三,即生活与花卉密不可分、花鸟画与咏花诗的完美结合以及诗人灵魂栖居之所需。
Odes to flowers are an important part of ZHANG Daqian’s poems and have their protruding status in his poetry.However,they have drawn inadequate attention from the academic circle.So far,people have not found any study of all these odes.Through the systematic research of these poems,the author of this paper has found that both types and amount of these poems have no competitors in Chinese poetry circle.Secondly,the aesthetic sceneries are multidimensional,such as the catching of blossom state,pouring his feelings through flowers,and comparing flowers to his morality.Thirdly,the causes of composing these poems include close relationship between the flowers and his life,perfect combination between birdandflower paintings and odes to flowers and the necessity of the poet’s soul perching.
作者
齐小刚
QI Xiaogang(School of Literature, Neijiang Normal University, Neijiang, Sichuan, 641199, China)
出处
《内江师范学院学报》
2017年第11期16-21,共6页
Journal of Neijiang Normal University
基金
四川省高校人文社会科学重点研究基地"四川张大千研究中心"项目(ZDQ2014-08)
文艺学领军团队及文艺学教学团队资金资助
关键词
张大千
咏花诗
数量
审美景观
ZHANG Daqian
odes to flowers
amount
aesthetic sceneries