摘要
以明末遗民画家渐江的绘画创作背景及其"清冷俊逸"的绘画美学特色为视角,对渐江绘画与中国传统绘画美学的联系进行分析,从而获得对渐江绘画的艺术价值与艺术精神的认识与了解;同时对其艺术地位的欠缺重视进行重申,更好地继承与弘扬前人的艺术成就。
From the perspective of the artistic background of his painting,and the aesthetic meaning with cold and lonely as well as ease and grace,it analyzed the relation in this paper for Jianjiang′s paintings to Chinese traditional aesthetical paintings so that we can acquire much recognization and understanding for the artistic value and spirit of Jianjiang′s paintings.Meanwhile,it is necessary for us to reiterate the attention of lack for his artistic position in order to let the later generations better inherit and advocat for his artistic accomplishment.
作者
郑甜甜
ZHENG Tian-tian(Department of Philosophy, Anhui University, Hefei, 230009, Anhui)
出处
《蚌埠学院学报》
2017年第5期68-71,共4页
Journal of Bengbu University
关键词
绘画美学
徽州文化
清冷俊逸
高洁品格
the Aesthetic meaning of painting
Huizhou cluture
cold and lonely as well as ease and grace
noble and unsullied character