摘要
“第四届美术文献展”借助“应力场”这一物理学的专有名词和概念作为主题,以视觉艺术语言构成一种“视觉应力场”。与此同时,在艺术家个体感应力的多样化表达及其涉及的种种社会问题的讨论之外,抑或还为美术馆作为社会公共空间的现实存在属性带来诸多方面的触动式思考。
With the theme of“stress field”from the physical term,the4th Documentary Exhibition o f Fine Art creates the“visual stress field”with the visual art language.Meanwhile,the discussions about the diversified expressions of artists5individual induction forces and the various social issues are involved,and“stress field”perhaps also elicits various prompted reflections on the experienced attributes of the museum as a social public space.
出处
《当代美术家》
2017年第6期43-43,共1页
Contemporary Artists
关键词
美术馆
公众
传播
art museum
public
broadcasting