彩虹岛上家国梦——台湾同志电影的系谱与政治

National Dream on the Rainbow Island: the Genealogical System and Politics in Taiwan's Queer Films

20世纪90年代以来,同性恋/酷儿题材电影在台湾蔚为潮流,并逐渐形成一种类型化的同志电影。台湾同志电影挑战了保守刻板的主流性政治,创造出兼具先锋性与商业性的同志电影文化。然而,台湾同志电影对同性恋的景观化再现,迎合了异性恋中心主义社会的奇观化凝视,而关于彩虹岛的同志共同体想象,则无法摆脱后殖民性与台湾民族主义的政治无意识,从而与塑造台湾主体意识的主流国族叙事达成合谋。台湾同志电影建构了一个"后殖民台湾同志"镜像,其所投射的依然是台湾社会纠结于国族身份辩证的历史悲情。

Since the1990s,queer-theme films have become a trend in Taiwan and gradually formed a type of"queer films".Those films challenge the stereotypes of the mainstream conservative politics,creating a queer-film culture featuring both pioneer and commerciality.Their landscape of the representation of homosexuality meets a spectacle of gaze in a heterosexuallove centered society.The imagination of a community of"gay heterotopias"cannot break away from the post-colonialism and the political unconsciousness of Taiwan nationalism,thus falling into a conspiracy with the mainstream narrative which shapes the Taiwan subject consciousness.Those queer films forms an image of"post-colonial homosexuals in Taiwan"which is still a projection of the historical pessimism of the Taiwan society struggling with a national identity.