摘要
严歌苓的小说《扶桑》令人着迷,并非因为小说故事本身,而是由该小说的叙事艺术造就的,这主要表现在以下三个方面:以第三人称为主、第一和第二人称为辅的多种人称复合叙事;蒙太奇式叙事——场面拼接叙述和特写镜头式叙事;以刻意多次暴露创作痕迹的元叙事追求历史化叙事。
Fu Sang,a novel written by Yan Geling,attributes its fascination to its narrative art rather than the story itself.It is mainly represented in following three aspects:First,multiple person compounded narration gives priority to the third person with the supplement of the first and second person.Second,montage style narration means a combination of scenes,narration and close-up views.Third,meta-narration characterized by deliberate exposure of the traces of creation pursues historical narration.
作者
庄丽
ZHUANG Li(School of Chinese Language and Literature,Central China Normal University,Wuhan 430079,China)
出处
《长春工程学院学报(社会科学版)》
2016年第1期87-89,93,共4页
Journal of Changchun Institute of Technology(Social Sciences Edition)