摘要
中胡作为一件重要的中音乐器,在独奏、伴奏、重奏、合奏等领域不断发展,越来越表现出不可或缺的艺术价值和广阔的发展前景。然较之二胡等,其发展却十分滞后,主要表现在中胡的乐器改良停滞、技艺创新不足、曲目创作稀少、理论研究空白等方面。这与人们的审美需求、社会发展不相适应,要在乐改、演奏及创作等方面加大力度,全面推动中胡艺术的发展。
Chung-hu,as an important alto stringed instrument,constantly develops in solo,accompaniment,repetition,ensemble and other fields,its indispensable artistic value and broad development prospect can been shown increasingly.But compared with erhu and other instruments,its development is lagging behind,mainly reflected in the stagnant improvement of the instrument,the insufficient innovation of technique,rare composition and blank theoretical research.This is out of keeping with the aesthetic demand and social development,so more efforts should be made on aspects like musical reform,performance,creation and so on,in order to fully promote the development of Chung-hu.
作者
唐进宝
Tang Jinbao(School of Education and Music, Sanming University, Sanming 365004, China)
出处
《湘南学院学报》
2017年第6期91-95,共5页
Journal of Xiangnan University
基金
2013年三明学院科学研究发展基金项目(A201320/Q)
关键词
中胡
发展与变革
演奏
创作
Chung-hu
development and reform
performance
creation