论上党八音会与上党梆子的互通关系

On the Interconnection between Shangdang Bayinhui Music and Shangdang Bangzi Music

上党八音会和上党梆子同是上党地区产生的乐种和戏曲品种,二者有着千丝万缕的联系,在不同的历史时期有不同层面、不同程度的互相学习借鉴。文章意在通过文献梳理、对两支乐队的对比考察、曲谱的比较分析、实地采风音响的记录及艺人的采访,来厘清上党八音会和上党梆子之间的种种关联,并由二者的发展进程引出对中国"乐"和"戏"之关系的宏观思考,揭示无论是从"乐"到"戏",还是从"戏"到"乐",都是一定历史阶段音乐发展的必然。前者是"戏"把"乐"神圣化、舞台化的过程,后者是"乐"把"戏"世俗化、平民化的历程。

The bayinhui wind-percussion music and bangzi theatrical music are both native performing forms in Shangdang area with a close learning and borrowing relationship in history.This article clarifies this relationship through the textual research and the investigation of their band establishments,music scores,and interviews.The study further leads to the discussion of the relationship between the yue(music)and xi(musical theatre)and reveals that,in history,to develop instrumental music to musical theatre is a course towards sanctification and stage performance,while on the contrary is towards convention and popularization.