晚清文学图像关系理论述要

The Theory of Literature and Illustration in Late Qing Dynasty

晚清作为一个变革时期,关于文学图像关系的认识呈现出新的理论契机。面对新的文化变局和文学革命的要求,传统的批评术语"境"发展成为"意境"说,并被赋予新的理论内涵,这使其具有了评论不同艺术门类的基础,成为探讨文学图像关系的一种重要理论维度。同时,新传播媒介的深刻发展,使文学图像的传播功能成为当时关注的重点,图像对于文学传播的助益及质疑都得到了朴素的理论表达,这也成为后世语图传播问题的重要源头。

In the late Qing dynasty as a period of change,there are some new opinions about the relationship between literature and its illustration.Facing a new cultural context and literary revolution,the traditional term of literary criticism"territory(Jing)"became"artistic conception(Yijing)",which are endowed with new connotation.As a category,it was used to talk about different arts,which give an important theoretical perceptive to the relationship between literature and its illustration.With the deep development of new media,people began to focus on the communication function of literary illustration,and debit whether the illustration be useful for the spread of literature or not.This become a important source for the communication for literature and its illustration.