《古诗十九首》意象描写的唯美化及抒情隐喻研究

Prettification and Lyric Metaphors on Imagery Description in Nineteen Ancient Poems

《古诗十九首》语言艺术精湛,情感意蕴深邃,在文学史上影响深远。其文学创作上的成功,源于社会时代背景的复杂和对《诗经》《楚辞》等文学源流养料的传承和创新。《古诗十九首》在意象选取及描写上,既继承了《诗经》描写"鸟兽草木"等与农事劳动密切相关的生产、生活意象传统,吸取了《楚辞》"香草美人"意象描写风格,又能将二者有机融合,作出"变一事一物‘反复叠唱’叙写为多意象‘唯美组合’隐喻"的发展创新;既继承了《诗经》《楚辞》痴男怨女的相思爱情和伤春悲秋的比兴抒情主题,又加之当时文人对生命意义的哲理思考和个人审美取向。

Nineteen Ancient Poems has far-reaching influence in the history of literature with its exquisite language art and profound emotion.The success of its literary creation stems from the complexity of social and historical background of the times as well as the inheritance and innovation of some literary sources nourishment such as The Book of Songs and The Songs of Chu.In the choice and description of the image,Nineteen Ancient Poems inherits the description in The Book of Songs about the imagery tradition“birds,beasts and plants”which is closely related to the farming labor production and living,and absorbs the image description style“vanilla beauty”in The Songs of Chu.What’s more,the organic integration between the two is done for the innovation development that changes are made from the narration of one thing with‘repeated refrain”to the multiple images metaphor of“aesthetic combination”.This way inherits the theme of lyricism and Bixing in The Book of Songs and The Songs of Chu about the male’s and female’s love and feeling sorrow for the spring and sad for autumn.It is added to literary men’s philosophical thinking on the meaning of life and their personal aesthetic orientation.