摘要
《考工记》作为我国第一部工艺技术专著,蕴含着丰富的美学思想。在历史语境下从美善关系的角度深入挖掘《考工记》的美学思想,对揭示人类审美意识起源及特征有重要意义。《考工记》以对早期审美意识的非理论总结,展示出审美意识"由善而美"起源的"三步曲":美作为善之显现、善之标准、善之象征。三层关系依次递进,呈现出审美自觉的历史轨迹。
As the first book about technology,Kao Gong Ji is rich with aesthetic thoughts.Under the historical context,aesthetic thoughts in Kao Gong Ji are to be deeply explored from the perspective of the relationship between beauty and goodness,which is of great significance to disclose the origin and features of aesthetic consciousness.On the basis of the non-theoretical summary of early aesthetic consciousness,the book shows the three steps of the origin of aesthetic consciousness from goodness to beauty:beauty as the appearance of goodness,beauty as the norm of goodness and beauty as the symbol of goodness,three of which evolve in a progressive manner,showing the historical route of aesthetic consciousness.
作者
马鸿奎
MA Hong-kui(College of Philosophy,Nankai University,Tianjin 300350,China)
出处
《美育学刊》
2018年第2期90-95,共6页
Journal of Aesthetic Education
关键词
《考工记》
由善而美
善之显现
善之标准
善之象征
Kao Gong Ji
from goodness to beauty
the appearance of goodness
the norm of goodness
the symbol of goodness
