废墟上的救赎——唐·德里罗小说《地下世界》中的“垃圾美学”

The Redemption in the Ruins:the Interpretation of the Trash Aesthetic in Don DeLillo's Underworld

本文主要通过分析唐·德里罗小说《地下世界》中的垃圾景观、垃圾填埋场以及垃圾地景艺术,研究指出垃圾理论家的垃圾填埋场设计和艺术家们的垃圾地景艺术对无用之物的再造蕴含了救赎启示思想,他们的垃圾再造是对历史的解构与重构。德里罗的垃圾书写,渗透着对历史的重构与艺术救赎的美学思想,暗合了本雅明对垃圾的历史和艺术的哲思,揭示出艺术家和思想家对人类历史发展的美学审视和批判之维。

Focusing on the exploration of garbage spectacle,landfills and scene art in Underworld by Don DeLillo,the paper expounds the inspiration of redemption to readers with waste theorists'building the landfills and artists'transforming the useless things into artworks.Their works are the metaphorical deconstruction and reconstruction of the history.DeLillo's writing about the trash conveys the aesthetic view on the reconstruction of history and redemption of art and is also a coincidence of Benjamin's philosophical idea on history and art,which reveals the artists'and great thinkers'aesthetic thinking and critical spirit about the historical development of human beings.