摘要
《故事新编》中塑造的十个末路"英雄"形象,正是以鲁迅为代表的"启蒙者"的缩影和化身,他们在面临各种各样的"末路"困境时,采取了不同的应对方式,呈现出一条非常明晰的思想变化痕迹,考察这些末路"英雄"的形象及其面临的困境,可以从中看出鲁迅等"启蒙者"的"启蒙"所面临的困境及其思想变化过程,从女娲的"死"到庄子的"逃",体现了他们从"荷戟"到"独"再到"彷徨"的思想转变过程。
The ten hopeless "heroes" shaped in New stories,represented by Lu Xun,are the embodiment and epitomes of "torchbearer",who have taken different approaches presenting very clear ideological changes,in face of all kinds of hopeless situation.This paper investigates the images of these "heroes" and their predicament,so that the dilemma of Lu Xun and other "torchbearers" as well as the process of their ideological changes can be seen.From the "death" of Nuwa to Chuang tzu's "flight",it reflects the transformation of their thoughts from "burdened with Ji" to "independence" and then "hesitating".
出处
《景德镇学院学报》
2018年第1期6-15,共10页
Journal of JingDeZhen University
基金
国家2016年社科基金重大项目"抗战大后方文学史料数据库建设研究"(16ZDA191)子课题"抗战时期大后方散文报告文学史料"