复苏与发展:前新时期内蒙古民族题材电影略论(1977—1989)——内蒙古民族题材电影的历史回顾(二)

Recovery and Growth:A Survey of Inner Mongolia Nationality Theme Movie in Pre-new Period:A Historical Review of the Inner Mongolia Nationality Theme Movie

新时期以来,内蒙古民族题材电影进入了复苏发展时期。改革开放的社会文化语境、经济体制的巨大转型、现实主义创作方法的回归、人性禁区的突围、以第二代内蒙古民族电影人为核心且老中青三代集体亮相的创作阵容,都为前新时期内蒙古民族题材电影创作提供了数量与质量的基本保障,也使此期的内蒙古民族题材电影具有了题材内容的丰富与拓展,创作主体身份与意识的渐次确立,电影创作观念和艺术表现技巧的突破与创新,娱乐片创作的初步尝试与探索等多方面的特征。

Since the new period,Inner Mongolia nationality theme movie has entered a period of recovery and development.The social and cultural context of the reform and opening up,the huge transformation of the economic system,the return of the method of realism creation,the breakthrough of the humanity forbidden zone,the creative lineup featuring the second generation of the national film people in Inner Mongolia and the collective appearance of the three generations,provided the basic guarantee of quantity and quality for the creation of Inner Mongolian theme films,enriched and expanded the theme content of Inner Mongolian theme film in this issue,established the identity and consciousness of the creative subject gradually,the concept of film creation and the artistic expression skills broke through and innovated.