从仓央嘉措诗歌翻译到“正反合”诗歌翻译观

Views Towards Poetry Translation in the Perspective of Hegelian Dialectics:Derived from Translation of Tsangsyangs rGyatso's Poems

仓央嘉措诗歌在汉、英语文化圈中的文本旅行具有一定程度的相似性,这表现在译者和译本两个方面。借鉴辜正坤教授采用中国传统哲学概念对诗歌进行分类的尝试,率先将"阴、阳、元、泛"概念引入仓央嘉措诗歌的汉、英翻译实践,区分出阴译、阳译、元译、泛译的概念,最后借助黑格尔正→反→合辩证法揭示了诗歌翻译发展的客观规律:源语诗歌文本在进入译入语世界之后,必然会经历原译诗(阴、阳)→复译诗(阳、阴)→泛译诗的发展过程。

The travel of Tsangsyang rGyatso’s Poems in the Chinese-speaking world and that in the English-speaking world share many similarities,which are reflected in two aspects:translators and their translations.Drawing on the experience Prof.Gu Zhengkun,who succeeds in applying“yin”,“yang”,“yuan”,“fan”,four concepts from traditional Chinese philosophy to categorizing poems,efforts are made here to introduce these concepts to translation studies and differentiate“yin translation,yang translation,yuan translation and fan translation”of translated poems.In the end,Hegelian dialectics are adopted to disclose the objective law for poem translation:after a piece of poem has been introduced into another culture,its translation would necessarily go through a process of first translation(yin or yang)→re-translation(yang or yin)→creation-oriented translation(fan translation).