六朝书论的“尚意”审美指向

Study of Aesthetics of Shangyi in the Theory of Calligraphy in the Six Dynasties

为解析六朝人的审美指向,本文从六朝书论切入进行梳理分析.文章从六朝书论中梳理出的"尚意"的审美指向,通过书论确立了六朝人"尚意"审美指向的理论框架,而非六朝后的书论家对六朝书论的主观评价.六朝"尚意"审美指向是建立在"意"的酝酿、"意"表现和"意"的深发的理论框架之上,其思想渊源是六朝的"玄学观".研究结果表明:通过对六朝书法现象的解析,为当代书法建设提供良好的借鉴和启示.当代书法的发展当树立超然、简淡的"自然观",从学术研究升华到艺术研究,以灵活的思维来理解书写技法中的问题,在结合时代特色的基础上,形成一代之书法面貌.

The paper discusses people’s aesthetic orientation in the six dynasties by analyzing the Theory of Calligraphy in the six dynasties.Based on the theory of calligraphy,the paper teases out the aesthetic direction of“shangyi”and establishes its theoretical framework instead of the subjective evaluations by the scholars after the six dynasties.The aesthetic direction was based on the theoretical framework including the Preparation of“yi”,the Presentation of“yi”and the intensive development of the“yi”,with“Metaphysics”as their origin of thought.The results show that the study of calligraphy phenomenon in the six dynasties will provide reference and enlightenment for contemporary calligraphy,for which the view of nature should be set up.Whether in academic research or in artistic research,the problems in the writing techniques should be understood flexibly.Combined with the characteristics of our times,contemporary calligraphy will take on its unique look.