海德格尔艺术真理观重探——从凡高的《农鞋》说起

Revisiting Heidegger's Truth in the Artwork:By Example of Vincent van Gogh's Shoes

在《艺术作品的本源》中,海德格尔以对《农鞋》的现象学描述展开了对艺术真理的追问,但文本又因他的过多想象和主观判断而受到广泛诘难。事实上,海德格尔乃是以拒斥传统形而上学的存在论立场反对将艺术视为经验对象,主张将艺术视为自由无蔽真理的现身方式。实在论的经验主义立场必然为存在论所超越,但这也造成艺术彻底沦为语言的产物,对艺术本身的发展产生不利影响。海德格尔虽在存在论意义上再次复活了艺术真理观,但在一定程度上却摧毁了艺术。

In Das Ursprung des Kunstwerkes,Heidegger explored the truth in the artwork by the phenomenological method about Vincent van Gogh’s Shoes.However,there are criticisms about Heidegger’s text because of too much imagination and subjective judgment in it.In fact,Heidegger was against metaphysical dualism,he also opposed to regard artwork as a experienced object.Heidegger advocated that art was a generation and preservation of truth,and ontology would surpass the realistic experimentalism.However,this consequence turned art into the dependency of language which was harmful for development of art.Heidegger revived art truth from ontology,he also destroyed art in some sense.