摘要
民国时期,缺乏规范语言基础的广播和跛足的国语运动在困顿中合而为一、相互扶持,扩大了各自的影响。广播直观立体地展示了语音、声调、情感等语言因素,使民众在对声音的认同中达到民族认同,从而建构起"文学的"国语形象。播音员的口语化播音既简练畅达,又富有情感性和审美性,是"文学的"国语的理想文本。无线电广播的播音实践和播音理论为国语的建构乃至于普通话的推广奠定了坚实的基础。
In early twentieth century,the lacking standard of broadcast language and lamed Mandarin Movement supported each other in hardship and expanded their influence.Broadcast directly and three-dimensionally displayed language factors such as voice,tone,emotion etc.,which made common people reach the national identity from the recognition of sound,so that to construct the literature of“national language”image.The colloquial broadcasting of announcers was not only concise and fluent,but also expressive and aesthetic,which was the ideal text of the“literary”national language.In a word,the practice and theory of radio broadcasting have laid a solid foundation for the construction of Chinese language and even the popularization of Putonghua.
作者
刘成勇
LIU Chengyong(School of Chinese,Zhoukou Normal University,Zhoukou,Henan 466001,China)
出处
《宜宾学院学报》
2018年第1期107-114,124,共9页
Journal of Yibin University
基金
2013年度教育部人文社会科学研究青年基金"汉语规范化与十七年长篇小说关系研究"(13YJC751030)
2016年河南省哲学社会科学规划项目"广播与当代长篇小说传播研究"(2016BWX025)
关键词
无线电广播
国语推广
“文学”的国语
Radio broadcasting
promotion of national language
national lan guage of literature