拍给心灵的浪漫诗——林孝谦电影研究

A Romantic Poem for the Soul: a Study of LIN Xiao-qian's Films

电影作为一种叙事艺术,其风格的表达不仅在于内容的表述,同时也来自于适合其内容的形式表达。作为20世纪90年代以来台湾新生代导演的代表,林孝谦导演的电影呈现出与1980年代台湾新电影运动的大师们不同的题材与形式选择。在他的作品中,一方面更倾向于对人物心灵的向内叩问,弱化了政治意识与批判意识;另一方面,他擅长以台湾民众所熟悉的日常生活为内容,将本土化与国际化的融合作为电影命题,表达出对于台湾在地文化与大陆文化脉络之间关系的追寻。他的电影影像风格与文化气质独特,丰富了台湾电影乃至华语电影的银幕表达。

As a type of narrative art,films demonstrate their features not only in contents,but also in the forms to convey the contents.Director LIN Xiaoqian is one representative for the New-Generation-Directors in Taiwan since 1990s whose films are quite different from those of Taiwan New Cinema in 1980s concerning the subjects and forms.On one hand,his films are prone to explore the characters’inner world,reducing the political and critical consciousness;one the other hand,he is adept at fusing the daily life that pepole in Taiwan are familiar with into his films to convey his exploration of the relationship between Taiwan culture and mainland Chinese culture by integrating indigenization and internationalization.His singular cinematographic style and cultural temperament enrich the screen of Taiwan films even that of Chinese films.