清末民初《乌龙院》戏曲存本整理研究——以早期京剧《乌龙院》三种为核心

Research on the Opera Scripts of Wulongyuan in the Late Qing Dynasty and the Early Republic Period:Taking Three Early Versions of Peking Opera Wulongyuan as Examples

《乌龙院》一剧现存清末民初版本较多。其中,清宫昇平署藏"《乌龙院》总本"、清车王府藏"《乌龙院》总讲"与日本东京大学双红堂文库藏《绘图乌龙院》是现存京剧《乌龙院》中的较早版本。以这三种早期京剧版本为核心,从本事源流与存本系统、形制面貌与演述趣味、名角争演与剧种衍出等方面对清末民初《乌龙院》戏曲存本进行梳理和分析,有助于进一步了解《乌龙院》故事在戏曲中的流变演化和舞台演出情况,并可借此管窥花部地方戏在清末的流播状况与社会影响。

There are many opera scripts of Wulongyuan which were created during the late Qing Dynasty and the early Republic period.Wulongyuanzongben kept in Shengpingshu,Wulongyuanzongjiang kept in Chewangfu and Huituwulongyuan kept in Shuanghongtang library of University of Tokyo,are earlier editions of Peking Opera Wulongyuan.Taking these three editions as the core to comb and analyze the opera scripts of Wulongyuan from the the story origins and script systems,edition patterns and writing interest,famous actors and genres of drama will contribute to the understanding of the evolution of Wulongyuan and the situation of stage performance,as well as the dissemination and influence of local opera in the late Qing dynasty.