摘要
魏晋时期的玄学大师王弼曾说过"尽意莫若象",如果这里把建筑视为一种"象",那么其中的道教文化意蕴则为他所指的"意"。本文以成都青羊宫建筑为例,从建筑选址、建筑布局、建筑形制、建筑装饰等方面分别加以探析,试图通过这些"象"来把握其内在的"意",以期在一个新的高度上来理解道教文化,从而更好地把握其内涵。
As a master of metaphysics in Wei-jin period,Wang Bi had said that the external image conveyed the inner meaning.If take architecture as a kind of external image,then the Taoist cultural implication is the inner meaning that he referred to.This article takes the architecture of Chengdu Qingyang Taoist Temple as the example,separately analyzes the architectural site selection,architectural layout,architectural shape and architectural decoration,and tries to grasp their inner meaning through these external images.Then it can be understood its implications better.
作者
王鲁辛
WANG Luxin(School of Public Administration,Sichuan University,Chengdu,Sichuan 610064)
出处
《绵阳师范学院学报》
2018年第3期139-143,149,共6页
Journal of Mianyang Teachers' College
关键词
青羊宫
道教文化
建筑选址
建筑布局
建筑形制
建筑装饰
Qingyang Taoist Temple
Taoist culture
architectural site selection
architectural layout
architectural shape
architectural decoration