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《万壑松风图》与院画山水的同异及其寄寓 被引量:1

The Implications of Painting Wang He Song Feng and the Similarities and Differences between the Painting and Academic Landscape Paintings
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摘要 《万壑松风图》是李唐在两宋转捩前夕创作的作品,它对北宋院画山水在风格、笔墨等的继承与创新,彰显了李唐在宋代山水画上承前启后的重要作用和重要地位。《万壑松风图》寄寓、承载了李唐的政治隐情。 The painting of WanHeSongFeng was painted by Litang who had painted on the eve of Northern Song Dynasty turned into Southern Song dynasty.It not only inherited the style and techniques of academic landscape painting in Northern Song dynasty,but had innovated over it.It shows the Litang's importance of linking the past and future.The painting of WanHeSongFeng implicated Litang's political sentiments.
作者 杨子青 杨学是 YANG Ziqing;YANG Xueshi(School of Fine Arts,Sichuan Fine Arts Institute,Chongqing 401331;School of Literature and History,Mianyang Teachers'College,Mianyang,Sichuan 621000)
出处 《绵阳师范学院学报》 2018年第3期150-153,155,共5页 Journal of Mianyang Teachers' College
关键词 《万壑松风图》 李唐 院画 无人之境 政治隐情 WangHeSongFeng Litang academic painting artistic conception of no subject political implication
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