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浅析《水浒传》中的“女汉子”形象

A Brief Analysis of the Image of the Tomboy in the Water Margin
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摘要 古代封建文化中女性形象是缺失的,不仅表现在形象塑造方面,更反映在独立人格方面。《水浒传》作为我国古代四大经典名著之一,塑造了许多经典的人物形象,如扈三娘、顾大嫂、孙二娘等"女汉子"形象,让人耳目一新的同时,成功塑造了一批不屈于封建统治、独立反抗社会和封建统治问题的女性形象。所以,可用"女汉子"来形容《水浒传》中的女性,她们体现了女性叛逆、勇于追求自身理想的精神。 In the ancient feudal culture,the female image was very lacking in both the building of the female image and in independent personality.However this is not true in one of the four literature classics,the Water Margin,in which three female images such as HU Sanniang,GU Dasao and SUN Erniang are created,thus refreshing the audience and readers by the way these female figures behave.They are rebellious,independent and saying no to the feudal rule and society.By defining these characters as tomboy,rebellions spirits and the courage to pursue their own ideals are highlighted.The paper studies the characteristics of these tomboys and their cultural implication.
作者 林慧 LIN Hui(Datong Vocational and Technical College of Coal,Datong 037039,China)
出处 《浙江工商职业技术学院学报》 2018年第1期12-14,共3页 Journal of Zhejiang Business Technology Institute
关键词 《水浒传》 “女汉子” 形象特征 文化意蕴 Water Margin tomboy image features cultural implication
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