摘要
自解构主义概念诞生以来,各种文化界限被逐步消解,传统的认知方式不断受到冲击,解构的目的就是要彻底打破既定的存在秩序,打破已成定式的习惯方式、思维模式以及所谓的民族特质等,本文尝试从消解传统的二元对立思维模式入手,跳过传统视角来研究西方艺术家安塞姆·基弗如何在他的绘画作品中把各种对立元素并置,以此建构独特的话语场,使作品产生新的绘画意义机制。
Since the conception of deconstructionism was born,various cultural boundaries have been gradually eliminated and the traditional cognitive mode has been constantly impacted.The purpose of deconstructing is to break the established order of existence,break the established habit mode,thinking mode and so on.Skip the traditional angle of view to study how the Western artist Anselm Kiefer juxtaposes the opposite elements in his paintings to construct a unique field of discourse and to create a new mechanism of painting meaning.
出处
《工业设计》
2018年第3期77-78,共2页
Industrial Design
关键词
解构主义
当代艺术
方法论
差异
Deconstructionism
Contemporary art
Methodology
Variance
