摘要
从《千年短裙》到《我们这五年》是作家李文明的一次“华丽转身”,但这次“华丽转身”有得有失。其所得主要表现为用文学表达政治,在地方志和文学之间、在政治性与文学性之间寻找一个巧妙的平衡点、一个切当的融合点、一个活力的生长点;其所失主要表现为在“命题作文”的框架下,作家个体的思想情感和写作立场规约于集体“大我”的标准和要求之内,弱化了作品的审美性和生命力。而《千年短裙》却正好弥补了《我们这五年》的所失,表现了一个个鲜活生动甚至矛盾复杂的“小我”,体现出作家个体的独立思考和思想情感的自然流露,是一部有质量的非虚构文学作品。
This is a flamboyant turn to Writer Li Wenming from Millennium short skirt to Our five years.However,the flamboyant turn have success and failure.The success is that the writer Uses literature to express politics,and try to find a equilibrium point between Local Chronicles and literature,between politics and literariness.The failure is that the writer loses individual thoughts and feelings in works.Millennium short skirt remedies the failure of Our five years.Millennium short skirt displays vivid,contradiction and complexity self,and reflects the independent thinking of the writer.Millennium short skirt is a good nonfiction literature works.
作者
周爱勇
Zhou AiYong(GuiZhou Normal University School Of Literature)
基金
本文系贵州省教育厅高校人文社科研究项目《文化转型视角下作为想象共同体的文学风景研究》(2016ssd15)阶段性研究成果。