摘要
"中国艺术"概念的产生和"中国艺术"史的书写是一个现代问题,其基本框架是外借的,且带有西方中心和一元进化论色彩,需要反思。巫鸿的著作在"全球景观"视野下,从礼器、墓葬、手卷、山水等个案入手研究了中国艺术的特性,及其对全球美术的贡献。
Both the concept emergence of Chinese art and the writing of Chinese art history are a modern issue,which basic research frame is western-center and monism evolution.Wu hung researches the characteristics of Chinese art through variety case study and its contribution to global art in the view of global landscape.
出处
《艺术设计研究》
CSSCI
2018年第1期119-122,共4页
Art & Design Research