摘要
沈从文的"抒情"与他所坚守的"文学革命"的主张,以及他的"爱与美的新宗教""美育重造政治"等观念是一以贯之的,共同体现了他的文学本位主义思想,彰显着主流文学内部偏重文学性的一方对偏重功利性的一方的纠偏与制衡;在"个人话语"与"集体话语"、"边缘话语"与"中心话语"的对话与冲突之中,沈从文文学思想的复杂性与深刻性才得以最大程度的彰显。
Shen Congwen’s idea of“lyricism”and his idea of“literary revolution”,as well as his ideas of“new religion of love and beauty”and“aesthetics rebuilding politics”and others are consistent with his thoughts on literature,which manifests that the literary side of mainstream literature corrects,checks and balance the utilitarian side.In the dialogue and conflict discourse”and“collective discourse”,and between“marginal discourse”and“central discourse”,the complexity and profoundness of Shen Congwen’thoughts on literature are manifested.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2018年第2期121-127,共7页
Journal of Social Science of Hunan Normal University
基金
湖南省社会科学成果评审委员会课题"人学视域下的沈从文思想研究"(XSP18YBC178)
关键词
“抒情”审美建构
复调
边缘话语
“lyric”
aesthetic construction
polyphony
marginal discourse
