摘要
《水浒传》的影视改编是文本接受与传播的一种现代形式,而此种形式的出现对于经典的解读出现了某些新的变化,为了适合动态图像的展示和迎合当前大众心理,无论是情节还是人物都变化大于接受。文字与图像尤其是动态图像的表现形式不同,其背后意蕴更是差别显著。
The movie adaptation of The Water Margin is a modern form of text acceptance and communication,the emergence of which shows new changes for the interpretation of the classics.Changes are more than acceptance in both plots and characters to fit the display of dynamic images and cater to the current public psychology.Different expression forms of words and images,especially the dynamic images,make significant differences behind them.
作者
孙琳
SUN Lin(College of Liberal Arts,Shandong University,Jinan Shandong 250100,China)
出处
《菏泽学院学报》
2018年第1期22-25,共4页
Journal of Heze University
关键词
图像
影视
接受
改编
images
movies
acceptance
adaption