白马藏族面具舞研究的回顾与反思

A Review and Reflection of Baima Tibetan Mask Dance

文章回顾了近40年来国内学者对白马藏族面具舞文化属性、"池哥""直目"文化渊源及面具舞源流分野、面具舞与族群认同等方面的相关探讨,并剖析了前人学术观点的贡献与不足。在此基础上,进一步分析了造成前人相关研究困境的原因,提出后续拓展研究的学术理论,以期为白马藏族面具舞的拓展研究提供学术经验。

The paper reviews that some scholars at home have conducted researches into the cultural attributes of Baima Tibetan mask dance,the cultural origin of“chige”and“zongmu”,mask dance dividing line,ethnic identity and mask dance,and these scholars also discuss defects of some predecessors’academic viewpoint.Accordingly,the paper intend to analyze the causes of the former research difficulties and put forward the ideas for the further research on Baima Tibetan mask dance.