服饰文化符号视域下武术文化研究

Research on Wushu Culture under the Visual Field of Costume Cultural Symbols

以文化符号为视角,对武术"服饰符号"这一文化传播方式在服饰内在美、服饰符号的外在美两个维度,对武术服饰的传承与发展进行探讨与考量。文章认为服饰颜色、材质的"外显性"是武术服饰符号传播的起点显现;武术服饰精神、文化的"内隐性"是武术服饰符号传播的原点解读;服饰是武术内在美与外在美的隐性博弈。基于此基础上,借用符号学的"自我镜像"与"他物镜像"理论,对"武术服饰"进行新的学理认知与理性梳理,并以武术"服饰符号"为载体,近而传承"武术服饰"。

In the perspective of cultural symbols,we research the effect of Wushu"clothing symbol"to the inheritance and development of martial arts clothing through two dimensions of inner beauty and outer beauty of dress.In this paper,we think the"foreign dominance"of clothing color and material is the starting point of the spread of Wushu clothing symbols.The"inner recessive"of Wushu costume spirit and culture is the origin interpretation of the spread of Wushu clothing.The costume is the hidden game between the inner beauty and the external beauty of the martial arts.Based on this,we take the semiotics theory of"self-image"and"other image",combing the theory of“Wushu clothing”,and take the Wushu clothing symbol as the carrier,and inheritance of“Wushu clothing”.