摘要
《中国花儿轻音乐》系列在把握传统花儿精髓的基础上,浓缩了花儿曲调的精华,运用现代音乐理念、适合展示花儿风格的配器手法,以不同的乐器为载体,原本由唱词描绘的意境与风格被乐器转化为一种声音符号,作为具有符号意味的形象,将花儿曲令以纯音乐的形式展现,并以诗意的文字命名,透出花儿的情调、灵魂、韵味、风格,开辟了一条宣传花儿的新路。纵观《中国花儿轻音乐》的艺术特点,它着重于花儿奔放、婉转、刚劲、悠扬、悲怆的审美倾向,着重于花儿的相关主题形态与音响状态之间的关系。
Based on the musical element of traditional Hua’er music,Chinese Hua’er Light Music concentrates on its essence and,more importantly,features its unique style through instrumental skills with various musical instruments.Furthermore,poetically renamed,Hua’er light music demonstrates its lingering charm and lasting appeal,its soul and styles as well as its distinctiveness,paving the way for a new approach to the performance of Hua’er light music.Chinese Hua’er Light Music is artistically characterized by its aesthetic tendency of being expressive and unrestrained,tactful,melodious and sorrowful,focusing on the relationship between the flower morphology and sound state.
作者
郭德慧
Guo Dehui(MusicSchool,Shaoxing University,Shaoxing,Zhejiang,312000)
出处
《绍兴文理学院学报》
2018年第2期115-120,共6页
Journal of Shaoxing University
关键词
《中国花儿轻音乐》
音乐元素
编配特点
Chinese Hua’er Light Music
musical element
composition characteristic