祛魅与复魅:香港文化身份的解构与重建——以《港囧》为例

Dsenchantment and Enchantment: Deconstruction and Reconstruction of the Culture Identity of Hong Kong——A Case Study of Lost in Hong Kong

香港作为一个文化符号,在大陆文化生态中一直占据着特殊地位。以马克斯·韦伯的祛魅理论为指导,以《港囧》为例,分析其深层意识形态,揭示香港文化符号与内地关系的嬗变过程。电影通过重建内地民众的集体记忆,对香港城市进行了"赋魅"书写;通过囧途中的教育和个人反思而去意识形态化,实现了对这一文化符号的"祛魅"书写与解构之旅。在此基础上,影片为大陆重新认识香港,重塑互相之间的文化价值关系进行了复魅书写,为现今两地关系的发展提供启发。

As a cultural symbol,Hong Kong occupies a special place in the Chinese cultural ecology.Based on the dis enchantment theory of Max Weber,this paper takes Lost in Hong Kong as a case study to analyze its deep ideology and reveal the transmutation process of Hong Kong's cultural symbol and its relationship with the mainland.Through the reconstruction of the collective memory of the mainland people,the film has been written to enchant the city of Hong Kong.By the way of the education in Lost in Hong Kong and the individual reflection,the author realizes the journey of the"disenchantment"writing and the one of the deconstruction of this cultural symbol.On this basis,the film provides the inspiration for the re-under standing of Hong Kong by the mainland and for the reshaping of the cultural value relationship between each other,and pro vides the enlightenment for the development of the current relationship.