摘要
池莉的名字总是与"新写实"相关联,以《烦恼人生》《不谈爱情》《太阳出世》构成的"人生三部曲"使池莉完成了现实"此岸"的从容降落。她将叙事焦点从爱情理想的"彼岸"转移到现实人生的"此岸",在对世俗生活的话语建构中,坚持撕裂自我,将理想主义消解在日常经验中,以引起人们对于生活本身的反思。
Chi Li’s name has always been associated with“new realism”.Life Trilogy which was composed of Annoyance Life,No Talking about Love and The SunJ s Rise made it possible for Chi Li to have achieved the calm landing on“this bank”of reality.She transferred the narrative focus of“that bank”of ideal love to“this bank”of real life.In the discourse construction of wordly life,Chi Li persisted on self-tear and clearing up idealism in the daily experience with the intention to set readers thinking about life itself.
作者
李焕焕
LI Huan-huan(School of Literature,Henan University,Kaifeng,Henan 475000,China)
出处
《湖北职业技术学院学报》
2018年第1期64-67,共4页
Journal of Hubei Polytechnic Institute
关键词
池莉
人生三部曲
世俗生活
话语建构
Chi Li
Life Trilogy
worldly life
discourse construction