摘要
室内乐,是蒙古族传统音乐向专业音乐转化所依托的音乐体裁之一。在西方室内乐音乐体裁的基础上融入蒙古族传统音乐元素,形成具有区域音乐特点的本土化音乐体裁——蒙古族风格室内乐。蒙古族风格室内乐形成的原因诸多,本文试图从空间的两个维度,即物质空间与意识空间,以及两者之间相互作用对蒙古族风格室内乐形成进行探析。
Chamber music is one of the music genres,which is based on music transformation of Mongolian traditional music to professional music.On the basis of the western chamber music,the Mongolian traditional music elements are integrated into the local music genre with regional music characteristics-Mongolian style chamber music.The causes of the formation of the Mongolian style chamber music are quite a lot and this thesis attempts to carry on the analysis of the formation of Mongolian chamber music from the two dimensions of space,namely the material space and space of consciousness,as well as the interaction between them.
作者
李梅
Li mei(Inner Mongolia Art University Inner Mongolia,Hohhot Inner Mongolia 010010)
出处
《内蒙古艺术学院学报》
2018年第1期117-123,共7页
Journal of Inner Mongolia Arts University
基金
教育部人文社会科学重点研究基地重点项目"蒙古族传统音乐的保护与传承研究"(项目编号:13JJD760001)阶段性成果
关键词
蒙古族风格室内乐
物质空间
意识空间
the Mongolian style chamber music
Physical space
Consciousness of the space