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论中国史前岩画图像中的“势”

Atudy on the Chinese prehistoric rock paintings of the "Potential"
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摘要 岩画的"势"是基于一定史前现实图像的外在叙事呈现和创作者与受众之间达成的心灵契合会通,在表现过程中以期充分体现中国文化中的"刚柔并济"和"和谐圆融"的生命精神特质,并与背景共同创构而成。"势"蕴含着一种内"象"外显和结构的"飞动神性"的感发。中国史前岩画通过刻、绘、涂三种方式将现实的物象布置在岩面或山洞中,以"线"作为主要表达手段,通过使用线性图势、空间语言、平面造型语言以及程式化语言等多种方式去概括现实和彰显内在的"势",并采用虚实、疏密、丰富物象的位置变化,间接地使其达到一定的图势。这些取势语言在很大程度上是对史前社会人类认识事物能力的一种空间的精神化和精神的空间化的概括和总结。 The“potential”of petroglyphs is based on the external narrative presentations of a certain prehistoric reality image and the spiritual agreement reached between the creators and the audiences.In the course of the performance,it is hoped that the"rigid and flexible"And"harmonious harmony"of the spiritual characteristics of life,and jointly created with the background.The description of"potential"in the ancient Chinese painting system is the"imposing"or some kind of"figure"of the object and implies the feeling of"flying divinity"with the appearance and structure of the"image".The emergence of"potential"and philosophy have a close relationship.Chinese prehistoric petroglyphs depict realistic objects in rock or caves by means of engraving,painting and painting.By using“line”"as the main means of expression,by using linear figures,spatial languages,graphic styling languages,and stylized languages A variety of ways to summarize the reality and highlight the inherent"potential",and the use of actual situation,density,enrich the position of the object changes,and indirectly make it reach a certain picture.The emphasis on life sprit makes the Chinese prehistoric petroglyphs reflect the characteristics of spatial spirits and spatiality of spatiality in the spatial representation of objects,stressing that the"space"of images is an inherently extensive reconstruction of prehistoric human life space.The prehistoric human society did not only use linear language,spatial language and plane modeling language to shape the image of rock paintings,but also took a"stylized"language in petroglyph images in many areas.To a large extent,it is a summary and summary of the ability of the prehistoric society to recognize and recognize things.
作者 刘程 Liu Cheng(NanJing University of Finance and Economics,NanJing City,JangSu Province,210023,China)
机构地区 南京财经大学
出处 《内蒙古艺术学院学报》 2018年第1期139-145,共7页 Journal of Inner Mongolia Arts University
基金 2017年江苏高校哲学社会科学重点立项资助项目<中国史前岩画的审美特征研究>(项目编号:2017ZDIXM068)阶段性成果
关键词 中国史前岩画 图像 审美 特征 Chinese prehistoric rock paintings Image Aesthetic Features Potential
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