现代性的叠影——庄学本人类学影像的多重裂隙分析

The Folding Images of Modernity——Analysis of multiple cracks in Zhuang Xueben's Anthropology visual texts

庄学本的影像文本被认为"具有艺术和人类学的双重价值",对于庄学本影像文本的解读基本上也是从这两个维度展开的。然而,城市化、摄影、民族性、商业化作为现代性的组成部分,在他的文本中都有所表现,三者之间存在着裂隙。不能仅仅以人类学影像命名庄学本的影像文本,这些文本的生产场域、传播途径、被改变、被遮蔽都处于复杂的现代性语境中。必须从不同的维度进行还原解读,才能发现庄学本影像文本的多重意义。

Zhuang Xueben’s visual texts are considered“double value of art and anthropology”,these texts are interpreted from the two aspects.However,urbanization,national,commercial photography as a part of modernity is expressed in his visual texts.There is a crack among these aspects,thus Zhuang Xueben's Visual image text cannot only be named Anthropology Visual image text.The producing field,the text dissemination way,being changed,being covered of these texts are in the complex modernity context.Zhuang Xueben's Visual image text must be interpreted from different dimensions,only in this way can we find the multiple meanings of the image text.