香港女性主体身份的建构及其隐喻探析——以电影《29+1》为中心

The Construction of Female Subject Identity in Hong Kong and Its Metaphor Analysis:Centered on the Film 29+1

女性主体身份建构问题从女性主义诞生之日便开始探讨,因为女性只有拥有自我主体意识才能突破性别藩篱。电影《29+1》塑造了两个女性,在面对30岁年龄随之而来的工作、爱情、亲情焦虑,并在"自塑"和"他塑"的过程中完成自我主体身份、女性话语建构,也隐喻香港只有通过将民族传统与西方文明结合的方式去完成自身主体建构,才能走出"失城""浮城"的文化迷境。

Female subject identity construction problems since the emergence of the feminism began to be explored,because only owning self subject consciousness did women break through the barriers.The film 29+1 has shaped two women,and in the face of the work,love and family anxiety that comes with the age of 30 years,and in the process of"self-plasticization"and"plasticization",the author has completed the self-subject identity and female discourse construction,which also means that Hong Kong can only get out of the"lost city"and"floating city"cultural environment by combining the national tradition with western civilization.