摘要
电影《塔洛》以仪式感的纪实风格、大量具有文化隐喻的视听符号表达了人类在文化冲突中的普遍困境。影片极具文化表征意义的影像符号和超越民族文化的叙事主题是少数民族电影自我发展的有益探索。通过对影片视听符号的细致分析探索电影如何借重自身媒介特质和优势,在少数民族跨文化传播中的功能及意义。
The movie Tharlo expresses the common predicament of human beings in the context of cultural conflicts with ritual documentary style and audio-visual symbols with cultural metaphor.The movie symbol with cultural meaning and narrative themes which surpass the ethnic culture are a significant exploration of the self-development of ethnic minority films.This paper makes a detailed analysis of audio-visual symbols in the film to explore the media features and advantages,function and significance in cross-cultural communication in the minority.
作者
侯倩
HOU Qian(School of Journalism and Communication,Lanzhou University,Lanzhou 730000,China)
出处
《兰州文理学院学报(社会科学版)》
2018年第2期94-98,共5页
Journal of Lanzhou University of Arts and Science(Social Science Edition)
基金
2015年度甘肃省社科规划项目<文化内涵与媒介思维:"西部"影像符号的文化生产与媒介传播>(YB030)
2014年度西北师范大学青年教师科研能力提升计划骨干项目(SKGG14023)
关键词
跨文化传播
视听符号
少数民族电影
cross cultural communication
audio-visual symbols
ethnic minority films