摘要
明末清初是重要的社会历史转型期。这一时期,文学发生了明显的风格迁移,朝着个性化、趣味化、世俗化方向发展,其内在精神和审美形式,都强烈而鲜明地打上了这种转变的烙印。李贽"童心说"、汤显祖的"至情说"和李渔的戏曲创作观等,都表现了明末清初"尊情尚性"的文学思潮特征,具体表现在诗文方面有"公安"三袁;通俗小说有冯梦龙、凌濛初的"三言二拍";戏曲作品则有汤显祖的"临川四梦"和李渔的"传奇十种"。
The late Ming and early Qing Dynasty is an important period of social and historical transformation,when there was a clear style transfer in literature,developing towards personalization,attractiveness and secularization,expressed on its inherent spirit and aesthetic form.Li Zhi’s Theory of“Innocent Mind”,Tang Xianzu’s Affection Theory and Yuan Mei’s Disposition Theory,all reflect the characteristics of literary trends about affections and human nature during the late Ming and early Qing Dynasty,which is embodied in three Yuan’s poetry,Feng Menglong and Ling Mengchu’s popular fiction San Yan Er Pai and Tang Xianzu’s and Li Yu’s opera works like Four Dreams of Linchuan and Ten Legends.
作者
何莘茹
HE Shen-ru(Yangzhou University,Yangzhou 225002,China)
出处
《扬州教育学院学报》
2018年第1期18-22,共5页
Journal of Yangzhou College of Education
关键词
明末清初
尊情尚性
文学思潮
戏曲作品
late Ming and early Qing dynasty
affections and human nature
literary trends
opera works