20世纪30年代乡土文学的三重叙事维度

Triple-dimensional Narrative of Vernacular Literature in the 1930s

20世纪30年代,民族、阶级矛盾加剧,作家价值观的差异逐渐显露,文学内部分化明显。乡土文学随之趋向多元,鲁迅的启蒙批判叙事一路虽有延续,但影响已不如以前;革命战争的洪流把社会剖析叙事推向时代前沿;另外,京派作家的人性审美叙事也不容忽视。这三重叙事维度同中有异、各有利弊,共同促成30年代乡土文学创作,意义深远。

Class and race contradictions got intensified in the 1930s.Writers began to show different values as to writing,thus an obvious split arose.Local literature became multivariate.Though Lu Xun’s enlightened critical narrative was still used,its influence was not as wide as before.Analyzing narrative became popular because of the war.Meanwhile,there was human aesthetic narrative used by Beijing writers.There were similarities and differences among the three narratives and each had its advantages and disadvantages.Working together,the three narratives fueled the creation of vernacular literature in the 30s and had a profound meaning.