审美大众化时代阿多诺审美救赎论的启示

Inspiration of Adorno's Theory of Aesthetic Salvation in Aesthetic Popular Era

审美大众化时代,日常生活审美化,引发审美主体日益增长的审美诉求与审美优质资源配置不充分、不平衡的矛盾。阿多诺审美救赎论具有深刻的问题意识和内在的价值指向。从审美救赎的必要性来看,阿多诺主张以审美达成个体解放与社会清明,启发当代审美应发挥提升个体境界、重振审美风气的重要作用。从审美救赎的可能性来看,阿多诺提倡艺术与生活保持距离,昭示当代审美应以独立品格与自由精神,遏制交换价值,抵御物欲私欲,成为商业消费的制衡力量。从审美救赎的可行性来看,阿多诺美学理论遭遇内在逻辑悖论和外在现实压力的双重困境,导致审美乌托邦幻灭,启示当代审美应以开放包容的对话姿态,建构多元共生的审美体验,营造各美其美、美美与共的审美生态环境,由此实现主体自觉的本初要义,完成"以美育人,以文化人"引领风气的时代使命。

In the age of aesthetic popularization,the aestheticization of daily life leads to the growing aesthetic demands of aesthetic subjects and the inadequate and unbalanced allocation of aesthetic superior resources.Adorno’s aesthetic salvation theory has a profound awareness of the problem and the intrinsic value orientation.From the view of the necessity of aesthetic salvation,Adorno advocated the aesthetic liberation and social harmony,inspire contemporary aesthetic should play an important role in the realm of individual ascension,revive the aesthetic atmosphere.From the view of the possibility of aesthetic salvation,Adorno advocated that art should keep its distance from life and that aesthetics should stand on its own character,curb the exchange value,resist the desires of material desires and become the check and balance force of commercial consumption.From the view of the feasibility of aesthetic salvation,Adorno’s esthetics theory suffers from double dilemmas of internal logic paradox and external reality pressure,which leads to the disillusionment of aesthetic utopia.In such an enlightenment era of aesthetic popularization,the aesthetic should be open and include dialogues to create an open aesthetic environment in order to achieve the purpose of liberating individuals and fulfill the mission of the times.