全球化背景下中国少数民族美学研究的理论话语建构

Contruction of the theoretical discourse for the study of ethnic minority aesthetics of China in the age of globalization

建构中国少数民族美学研究的理论话语,在全球化时代有着突出的意义,并关涉着现代性问题的反思、国家形象的构建和本土文化的理论自信。当下民族美学研究的话语建构理应从"杂糅性"走向"方言性",并需要从历史唯物论、中国传统美学中吸取理论资源,以少数民族非物质文化遗产作为理论指涉的事实依托,在全球化的视野中进行文化输出,进而更好地实现其理论话语的述行性。

The construction of the theoretical discourse for the study of ethnic minority aesthetics of China has great significance in the age of globalization,which is related to the problems of modernity,the construction of our national image and the theoretical confidence in our local culture.This construction should be transformed from“hybridization”to“dialecticism”,and obtain some theoretical resources from historical materialism and the traditional Chinese aesthetics,relying theoretically on the ethnic minority intangible cultural heritages through cultural export in a global vision and realizing the performativity of its theoretical discourse.