孀妇季兰韵悼夫诗创作姿态探赜

A Study on the Creation Posture of Lady Ji Lanyun's Elegy for Her Late Husband

清代闺秀季兰韵与丈夫屈颂满鹣鲽情深,然而婚后一年多丈夫病逝,23岁的季兰韵不幸成为一名孀妇。作为清代孀妇诗人的典型代表,季兰韵创作了大量诗词作品,其《楚畹阁集》中仅于诗题或诗序中标明悼夫的诗作就多达64首,且悼夫诗的创作贯穿于她35年的孀妇生涯,数量和比例皆远高于清代其他孀妇诗人。季兰韵悼夫诗将死亡和爱情两大主题完美融合,充分表现出"未亡人"对亡夫悲痛欲绝的伤悼之情和笃厚深挚的伉俪之情。季兰韵悼夫诗的创作姿态表现为强烈抒发对亡夫的深切缅怀,倾诉"未亡人"的深悲剧痛,缅怀美好的爱情,表达"早同穴"的愿望,历时长久,情挚词哀,动人心旌。

Ji Lanyun,the young lady of Qing Dynasty,was deeply affectionate with her husband Qu Songman.However,after more than a year of marriage,Ji Lanyun’s husband died of illness.At the age of 23,Ji Lanyun unfortunately became a widow.As a typical representative of widow poet in the Qing Dynasty,Ji Lanyun wrote a large number of poems.There are as many as 64 poems which marked with mourning husband in the poem title or in the preface of poems written in the collection of Chu Wan Ge,and the creation of these poems run through 35 years of Ji Lanyun’s widowhood,the number and proportion of Ji Lanyun’s husband elegy are far higher than those other widow poets in the Qing Dynasty.Ji Lanyun's husband elegy perfectly combine the two themes of death and love,and fully demonstrate the widow’s grief over the deceased husband and the deep feelings of the couple.The creation posture of Ji Lan Yun's husband elegy are manifested as deep memory of the deceased husband,deep sorrow of to be a relict,nostalgia for good love,expression of the desire to burried together early,which are lasting and moving.