禅韵霅溪幻姚巂:清初高奣映题刻的地方性遐想

Intangible Thought Landed in Locality: Random Reflections on the Poem Inscribed in the Tanhua Temple by Gao Gongying in the Early Qing Dynasty

就可以确信的明代史料而言,清初学者高奣映的身上流淌着"僰人"(姚安高氏)、"麽些"(丽江木氏)和"罗罗"(武定凤氏)先祖的血液,但他终归还是以一个"汉化之人"的身份建构了自己的文化使命。毫无疑问,高奣映的前半生因父亲的影响而纠结于"无明不清"的历史漩涡,但他的后半生却彻底实现了"非汉不夷"的自我超越,他将元代高僧清珙撰《闲咏》诗题刻于昙华寺附近即最好的例证。楚雄地方文化界近一百年来除将"题""撰"搞混淆外,还敷衍出各种具有"反话语"性质的禅林别趣。

Although carrying the DNA of his ethnic ancestors+the Bo(the Gaos of modern Yao’an County),the Moxie(the Mus of the modern Lijiang Prefecture)and the Luoluo(the Fengs of modern Wuding County)+as confirmed by records of the Ming Dynasty(1368-1644),Gao Gongying of the early Qing Dynasty(1644-1911)constructed his cultural mission as a“Hanized”scholar,who spent the first half of his life confused with his ethnic identity due to reasons of his father but the second in firm belief that he was Han.This belief of his can best be proven by his engraving of a poem Leisure Notes by Qinghong-a highly esteemed monk-poet composing during the Mongolian rule of the Yuan Dynasty.In addition to misinterpretation of some basic literary terms,the circles of local Chuxiong researchers have derived some anecdotes of a“counter-discourse”nature.